The Most Expensive The LAICA

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Laica’s digital cameras, other than the DMR and the M8, are produced in Japan by Panasonic. While the earliest Laica digital cameras were rebranded Fujifilm models, all current Laica digital cameras except the R8/R9 Digital Modul-R and M8 are rebranded versions of Panasonic’s Lumix digital cameras.

The LAICA DIGILUX 3 sets a new standard in the digital mirror reflex camera segment: traditional operating controls and highly modern technical equipment are united with classical values such as precision, outstanding picture quality and a clear formal languageLaica also produced a series of SLR (single-lens reflex) cameras beginning with the Laicaflex in 1964, followed by the Laicaflex SL and the Laicaflex SL2. Each of the Laicaflex models featured a mechanical shutter and electronic lightmeter, initially with non-TTL (”through-the-lens”) light-metering, but with TTL metering from the SL onwards. The Laicaflexes were followed by the Laica R series, starting with the R3, which were initially made in collaboration with the Minolta Corporation. All R-series SLRs have an electronic shutter, except for the all-mechanical R6, whose only electronic part is the lightmeter.

NIKON LAUNCHES THE AF-S NIKKOR 50mm f/1.4G LENS

RRP: £279.99 / €383.00 Sales start date: December 2008 Nikon UK is pleased to announce the introduction of a new wide aperture fixed-focal length NIKKOR lens, the AF-S NIKKOR 50mm f/1.4G. The new lens has a fast maximum aperture of f/1.4 respectively for a bright viewfinder experience, beautiful background blur with shallow depth of field. It also incorporates Nikon’s ultra-compact Silent Wave Motor (SWM) ring-type for silent, fast and accurate focusing and enables autofocus in cameras without a built-in motor, such as the Nikon D40 and Nikon D60.
"This new fast prime lens redefines the standard lens concept,” says Robert Cristina, Professional Products and NPS Manager at Nikon Europe. He adds: “The fast apertures, silent AF and compact dimensions deliver brilliant image quality with new creative options for Nikon digital photographers.”
www.europe-nikon.com

Color Depth

Color Depth refers to the number that a given pixel is assigned in a photograph. The number that a pixel is assigned determines the color of the pixel. Color depth can render 16 million different colors (about as many as the human eye can discern) in a picture based on a 24 bit per pixel measurement. Simply speaking, color depth describes the range of colors a photograph could possibly have. Color depth is a term that is used in both photography and computer arenas.
Color depth is also referred to as pixel-depth, bit-depth or true color. Ultimately, the color depth determines the richness of, or the degree to which, a color appears on a photograph. Color depth works by attributing a single color to each pixel. In sum total, a picture comes together because each pixel is assigned a distinct color depth.
However, color depth alone doesn’t determine the quality of a photograph. Color depth along with the dots per inch (DPI) are responsible for photographic quality. The higher the DPI (the more dots or pixels that make up an image), the more color depth numbers are assigned. Consequently, with more colors in an image, the more refined and detailed a picture will appear.
source:phiotography.com